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Good People EVERYWHERE!

Your nervous system heals in stillness. Your heart heals in gentleness. Your body heals in nourishment. You can't obsess your way to wholeness. Nourishing your body with grace and compassion is medicine in its purest form. From love not for love always Starts with self care for you! πŸ™πŸ™πŸ™πŸ™πŸ™ πŸ’ƒπŸ¦‚♏μ•›α›·πŸ¦♌🐐♑🀣😼⌣ ΰ¦…Ⓝ∑ΰ΄…ΙƒΠ­Ⓛ㎕െ⍾πŸ””␇⊚κ­” ⓒΣ’ⓉΘ¬ 😸챁ꊢ♑π‚‰πŸπŸ’—πŸ’Ÿ beauty ➕full ➕dreamer ⩵πŸ’Œ art simply remains my highest hope πŸŽ¨πŸŽ­πŸ–Œ㊐πŸŒ…πŸ©·᭩᭣᭢π€·πŸ“—πŸ’š A Beauty Full Day Again. 

V I V I D

  Vivid Sydney never disappoints! Artists Reg Mombassa on display, Customs House. pic.twitter.com/WAIuVZLjlI — WOOLLOOMOOLOO (@woolloomoolo0) May 27, 2024

"U N S W O R T H on the R O C K S" @AGNSW

Set The Scene for More in Twenty Twenty Four! View this post on Instagram A post shared by Art Gallery NSW (@artgalleryofnsw)

AGNSW ~ Georgiana Houghton ⟣⟣⟣

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In conjunction with the major exhibition Kandinsky at the Art Gallery of New South Wales, Invisible Friends is a rare Sydney showing of ‘spirit drawings’ created in the 1860s and ‘70s by Georgiana Houghton (1814–84). Recently ‘rediscovered’ by art history, Houghton’s outwardly abstract artworks – among the most astonishing images of her time – have now assured her place as one of the most radical of spiritualist artists and a precursor of the abstraction to come. Houghton was a prominent figure of the early spiritualist movement in Victorian England, which played a significant role in 19th-century culture. Spiritualism is a belief system that centres around communication with the spirits of the dead, often through people known as mediums. A trained artist, Houghton was also a medium. When painting, she sought to express the connection between the visible world and the invisible spirit realm, considering the ‘manifestation first, and art second’. With her hand guided by those she called...

" Deep Inside My Heart " Is Now Open@NGA

  View this post on Instagram A post shared by National Gallery of Australia (@nationalgalleryaus)

Scholarship Recipients

The Brett Whiteley Studio, administered by the Art Gallery of New South Wales, awards an annual travelling art scholarship to talented artists aged between 20 and 30 with an established body of work. For the 2023 scholarship, the Studio will offer two types of residencies under the one application: a residency at the CitΓ© internationale des arts, Paris, for one artist, and a two-week residency at Shark Island Kangaroo Valley for five artists. Mrs Beryl Whiteley (1917–2010) generously allocated funds for the scholarship in memory of her late son, Brett Whiteley, both to encourage excellence in painting and to offer young artists career development opportunities. The 2023 scholarship has seen an increase in its cash prizes and will consist of one recipient receiving $50,000 and three-month residency at the CitΓ© as well as five recipients each receiving $10,000 and a two-week residency at Kangaroo Valley in the Southern Highlands, NSW. The Shark Island Kangaroo Valley residency will be ad...

Core Values Moving Towards The Trusted Layers of Inclusion, Opportunity and Equality. For All. This Is The Future of Distributed Ledgers and Is Here Now With Hedera.

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How Old Is Silence? "David Was Always Home" A Vision Released The Miracle It Is Always Present.

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David is a masterpiece of Renaissance sculpture created in marble between 1501 and 1504  by the Italian artist Michelangelo.  David is a 5.17-metre (17.0 ft) marble statue of the Biblical hero David,  a favoured subject in the art of Florence. ...  The eyes of David, with a warning glare, were fixated towards Rome. Michelangelo always knew David was Home He saw his soul within.  His masterpiece was to release the frozen form of David and share his eternal form with the world Michelangelo's artistic vision and genius slowly revealed  and released David's timeless soul layer by careful layer for us all to appreciate for eternity. What vision are you releasing today?  What dreams do you have that may still Be hidden,  possibly frozen in rock solid fear also waiting to Be birthed into the Light of Day? This is our collective regenerative Renaissance of Now.  This is our collective opportunity to bi...